Bedor Alobaidi

“The Rough theatre is something more experimental”. This means that we already have moved into a different type of theatre that Peter Brook has guided us into it from his book “The Empty Space”. In better words, this is a simpler form of theatre than the ones we studied before such as the deadly thatre and the holly theatre, what makes the rough theatre different than the obvious theatres is that “through the ages it has taken many forms, and there is only one factor that they all have in commonness--- a roughness”.   I would rather call it a vivid, noisy, lively, flexible, and very creative theatre.  You can touch and feel the real meaning of owning the space “The Stage” and being all comfortable with any new, quick changes in terms of plays, directors, and the actors themselves are more free with their expreissions but noticebly they are not limited as how we examined in the first two chapters.  In this type of theatres, you can easily see it’s not a complicated space

There is no doubt that theatre can be a very special place to appreciate and the way that artist and any creative person should look at it needs to be much more developed depending on how much they love the space (the stage) and how passionate on what they are doing, especially when they start having the sense of knowing the actual meaning of loving theatre with so much admiration, and they have to be pure true to themselves first and to others, or pretty much to the audience after all.  Theatre is different from everyday life and it can easily be not related to reality.   Personally, I think theatre is the real meaning and definition of our reality because we can notice that any play we go to watch its performance whether you are already familiar with the play before or not, but the way how its brought to you makes you believe that the story is true or it was actually taken from a true, personal story that happened to someone whose popular, it could be totally about random peopl

It is my belief that Brooks talks about Holy Theatre as a way of getting practitioners, and patrons, to understand that true, Holy Theatre gets at truth. By this I do not mean, necessarily, universal truths, like fire is hot or ice is cold, but truths we hold inside. When we discover these truths, through theatre (and by this I mean doing or experiencing, not merely reading), we have the opportunity to be raised to a new level of understanding, a place, similar to our faith as we discover our spiritual truths, where we cannot really explain our discovery but we know it is real. Theatre, like religion, has had, and will continue to have, its false prophets, proclaiming that we must have or do something in order to please the gods/Gods. Yet, in discovering our truths, our holiness in understanding, we fulfill that journey. In this chapter the Director Peter Brook  defines  “The Holy Theatre” as “the Theatre of the Invisible – Made – Visible.” That is, this kind of drama is

After reading and highlighting the important key  elements  of the “Empty Space” as how it’s referd on the book that was written by the author Peter Brook, I was bale to draw out an idea of what’s the definition of an empty space and  calling  it a bare stage as how it was mentioned in the text.  Then he  splinted  the word into four ways and distinguished what are the four different kinds of theatre. These types of theatre are: Deadly Theatre, a Holy Theatre, a Rough Theatre, and the fourth one was the an Immediate Theatre. In this chapter Peter Brook was to deliver a powerful indictment of deadly  theater  for us. In better words, he was able to identify and explain with such a  detailed  relevant sequence what is deadly theatre in terms of performances that are dull and boring, providing no transcendental experience or immediate encounter with truth and beauty. In his book, Brook has focused on several reasons why deadly  theater  happens and why it persists; and while I

   Who is Edward Albee? Edward Albee is the author of many plays, including the award winning (Who’s Afraid of Virginia Woolf?) and Seascape. Much can be said of his work, but the first word that comes to your mind as reader or a researcher or even if you are a theatre major is "innovative." Albee never writes the same play twice. Each new work explores different territory and his its own special incidents that takes a big spot in his work, and what I mean by that is we could tell and see how significantly any he does is absolutely different, unique and as I mentioned earlier, he never writes the same play twice. Even similarity doesn’t exist as much as how we think so!  Clearly, he’s a renewable playwright.  Although the themes can be unsettling and the format may sometimes border on avant-garde, his plays always offer new insight into the human condition. In my personal opinion, sometimes I think reading a science book might be as less complicated as how it might

Betrayal is a play that was written by Harold Pinter in 1978. Critically regarded as one of the English playwright’s major dramatic works, featuring his characteristically economic dialogue, characters' hidden emotions and veiled motivations, and their self-absorbed competitive one-upmanship, face-saving, dishonesty, and (self-) deceptions. Betrayal shows people in an extraordinarily civil, although complex, relationship. The play concerns the betrayal of husbands and wives in adulterous relationships, but it also explores the power relations between the genders as well as the relationship between male friends. Betrayal was first produced by the National Theatre in London on 15 November 1978. The original cast featured Penelope Wilton as Emma, Michael Gambon as Jerry, Daniel Massey as Robert, and Artro Morris as the waiter; Wilton and Massey were married at the time. It was designed by John Bury and directed by Peter Hall.  Pinter's particular usage of revers

Henrik Ibsen was considered the new style of realism. He was born in 1828 and died in 1906. Even though his movement in the theatre movement was going slowly and also “painfully” as how it’s says in the book but then because of his hard, significant work towards what he was looking for to accomplish in his field but of course he became the most influential modern dramatist during his time.  What most researchers and authors who have studied Ibsen’s work or at least familiar with it they all agreed on how his subjects were special in specific terms of drama, more likely subjects that’s been ignored or not touched on the stage from other playwrights, he simply added these subjects and brought them up to life after they’ve been not mentioned in specific periods of time and he made out of them a special technique of the center of his work, basically.  He was one of “the most influential European dramatist in the late nineteenth century, Ibsen inspired emerging writers in the Uni

Between tampering and ridicule (Samuel Beckett): That was originated the doctrine of tampering in the literature EU and go to the Arts Contemporary World in general, and the countries that suffered from World War I and II, in particular, the countries that have lost confidence in just the course of mental logic that can destroy in moments of all the good works of human civilization when governed by lust control and destruction, and is a Samuel Beckett for the first pilot of this doctrine. Samuel was born in Ireland on April 13, 1906 AD parents Inclaizaan Irish remained traveling in Europe for several years in March by copyright and other works until he settled in France about the year 1937, and educated at the University of Dublin, where he studied literature where, and received a grant for two years (Ecole Normale Superieure ) in Paris to return to a professor at the University of Dublin (Trinity College).  Beckett, began his journey as a poet and published his poems into se

Zoot Suit, is one of the most popular plays for the author Luis Valdez who was born in 1940 in Delano, California, to farm workers.  This play was considered, his major success and that was back in 1978. The genre of this play known as a musical drama, and it can be read also as a straight drama as well. Zoot Suit brings to life a racially-charged trial of the 1940s, in which a group of pachucos, Mexican-American gang members, are charged and sentenced with the murder of another Mexican American. Playwright Luis Valdez depicts the trial of the Sleepy Lagoon Murder and the related Zoot Suit Riots of 1943 in a combination of docudrama, myth, and musical.  Zoot Suit was designed to reach a larger audience than those targeted by the improvisational skits, or actos, he had produced for El Teatro Campesino, a theater troupe he founded to support Hispanic labor leader Cesar Chavez's efforts to unionize California farm workers during the Delano Grape Strike of 1965. Although he r

Samuel Shepard Rogers VII was born in Illinois in 1943, but his father career was a man in the army, and like most “army brats”, Shepard found himself essentially uprooted, moving from base to base around the country. In this reflection, I will indicate the significance of one of his most popular plays called, True West. True West that was written in 1980 talks about a family life, or in better words part of family, that was shattered for some reasons and sometimes it’s hard to identify what would be the real reason that got this family all separated but most likely while you read through the play or watch it performed on stage, you will notice that there no clear reasons  or signs that guide you into the main concept of this family and why they are so far from each other; perhaps when they got all shattered like that depending on unknown circumstances into individuals isolated in their inability to understand and express their feelings for one another.  TRUE WEST is a

In the introductory chapter of Acting Professionally the author give us a fact how to face acting career in general. He mentioned how acting is a fun, and interesting hobby or career to do or even for those who want to purse acting professionally and make their living from it as well. Some people do acting for free for a quite long time whether they were students or already graduated, and some think that they should start thinking on how to apply their skills and talents and start building themselves as professional actors even before they go and face the reality of how to get enrolled in the artistic career whether it was in theater, cinema or both of them together. Also let’s think about it this way, in order to become and actor/ actress, you must first have a passion for it and be always motivated to learn more about the acting techniques and preferably being enrolled in theater community, and take some acting courses to get you into the right direction as a first st