Happy Days By Samuel Beckett ( Play Review )

Between tampering and ridicule (Samuel Beckett):
That was originated the doctrine of tampering in the literature EU and go to the Arts Contemporary World in general, and the countries that suffered from World War I and II, in particular, the countries that have lost confidence in just the course of mental logic that can destroy in moments of all the good works of human civilization when governed by lust control and destruction, and is a Samuel Beckett for the first pilot of this doctrine.
Samuel was born in Ireland on April 13, 1906 AD parents Inclaizaan Irish remained traveling in Europe for several years in March by copyright and other works until he settled in France about the year 1937, and educated at the University of Dublin, where he studied literature where, and received a grant for two years (Ecole Normale Superieure ) in Paris to return to a professor at the University of Dublin (Trinity College). 
Beckett, began his journey as a poet and published his poems into several magazines in Dublin and Paris. He was all encouraged by one of the publishers in Paris on the publication of his book which was published on his own account in Paris in 1935.
He Wrote several novel books and worked on translating a good amount of them as well. He published his first novel (Murphy) in English in 1938. Followed by a novel was called (Watt) 1958, and then three (Molly) 1951 and (Malone dies) 1951, and (excused) 1953. But his plays are gained international fame. 

Samuel Beckett 

One of the researchers says: ((The appearance of the term theater comic was after World War II in the work of writers such as Samuel Beckett and Eugene Ionescu, carrying Sitcoms dye laughter and humor, but that the application carries the meaning that came thinkers existentialists is that the man is far from harmony with himself and that without the metaphysical beliefs finds himself in exile. despite the fact that a book of this type take in their heritage experimental theater talk when Straandberg, and Gary, and writers who founded Surrealism and Expressionism, but they shed some traditional elements (if there was a plot originally) and as a design the stage of the theater or psychologically abnormal personalities)).
The play (Happy Days) was written in English and also it was one of the plays long and made the first time in New York in 1961. 

Symbols that has been used in Happy Days:
Black bag
The black bag stores all the rituals of Winnie's life: her toothbrush, comb, magnifying glass, and, most importantly, "Brownie," her revolver. These items do not need her&, as she says, they have a "life" of their own, and create an empty, static world of ritual. The bag's color provokes connections to death, and Winnie eventually takes out for good the revolver, which always seems to rest at the top of the bag despite its weight. The bag, then, symbolizes the death ritual brings to Winnie and the legitimate option of suicide it presents—one which she refuses with her steadfast optimism.

Theme:
(Loneliness and the Need for Companionship)
While Winnie never uses the word, she is constantly lonely and depends heavily on the assurance that Willie is conscious and listening to her. She doesn't ask much of Willie, but needs to feel that her words an impact on someone else, and are not simply externalized thoughts. The song she loves so much is a duet about love, what Winnie longs for most, yet her love of and dependency on Willie is reciprocated only briefly at the end of the play. Perhaps the play's setting is merely an extension of their married life, one that became a stale, lifeless coupling over time. Winnie compensates for this loneliness through her imagination. She recites lines from poems and plays in an attempt to commune with their authors, and conjures up the image of Shower/Cooker and his fiancée. The imaginary couple watches and discusses Winnie, and gives her the feeling of being cared for, something she doesn't get with Willie. Her desire to be watched is realized in the theater, where the audience is a stand-in for the perplexed imaginary couple. Perhaps only through art can we defeat our loneliness.


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