Happy Days By Samuel Beckett ( Play Review )
Between tampering and
ridicule (Samuel Beckett):
That was originated the doctrine of
tampering in the literature EU and go to the Arts Contemporary World in
general, and the countries that suffered from World War I and II, in
particular, the countries that have lost confidence in just the course of mental
logic that can destroy in moments of all the good works of human civilization
when governed by lust control and destruction, and is a Samuel Beckett for the
first pilot of this doctrine.
Samuel was born in Ireland on April 13, 1906 AD parents
Inclaizaan Irish remained traveling in Europe for several years in March by
copyright and other works until he settled in France about the year 1937, and
educated at the University of Dublin, where he studied literature where, and
received a grant for two years (Ecole Normale Superieure ) in Paris to return
to a professor at the University of Dublin (Trinity College).
Beckett, began his journey as a
poet and published his poems into several magazines in Dublin and Paris. He was
all encouraged by one of the publishers in Paris on the publication of his book
which was published on his own account in Paris in 1935.
He Wrote several novel books and
worked on translating a good amount of them as well. He published his first
novel (Murphy) in English in 1938. Followed by a novel was called (Watt) 1958,
and then three (Molly) 1951 and (Malone dies) 1951, and (excused) 1953. But his
plays are gained international fame.
Samuel Beckett |
One of the researchers says: ((The
appearance of the term theater comic was after World War II in the work of
writers such as Samuel Beckett and Eugene Ionescu, carrying Sitcoms dye
laughter and humor, but that the application carries the meaning that came
thinkers existentialists is that the man is far from harmony with himself and
that without the metaphysical beliefs finds himself in exile. despite the fact
that a book of this type take in their heritage experimental theater talk when
Straandberg, and Gary, and writers who founded Surrealism and Expressionism,
but they shed some traditional elements (if there was a plot originally) and as
a design the stage of the theater or psychologically abnormal personalities)).
The play (Happy Days) was written
in English and also it was one of the plays long and made the first time in New
York in 1961.
Symbols that has been
used in Happy Days:
Black bag
The black bag stores all the rituals of Winnie's life: her
toothbrush, comb, magnifying glass, and, most importantly, "Brownie,"
her revolver. These items do not need her&, as she says, they have a
"life" of their own, and create an empty, static world of ritual. The
bag's color provokes connections to death, and Winnie eventually takes out for
good the revolver, which always seems to rest at the top of the bag despite its
weight. The bag, then, symbolizes the death ritual brings to Winnie and the
legitimate option of suicide it presents—one which she refuses with her
steadfast optimism.
Theme:
(Loneliness and the
Need for Companionship)
While Winnie never uses the word, she is constantly lonely
and depends heavily on the assurance that Willie is conscious and listening to
her. She doesn't ask much of Willie, but needs to feel that her words an impact
on someone else, and are not simply externalized thoughts. The song she loves
so much is a duet about love, what Winnie longs for most, yet her love of and
dependency on Willie is reciprocated only briefly at the end of the play.
Perhaps the play's setting is merely an extension of their married life, one
that became a stale, lifeless coupling over time. Winnie compensates for this
loneliness through her imagination. She recites lines from poems and plays in
an attempt to commune with their authors, and conjures up the image of
Shower/Cooker and his fiancée. The imaginary couple watches and discusses
Winnie, and gives her the feeling of being cared for, something she doesn't get
with Willie. Her desire to be watched is realized in the theater, where the
audience is a stand-in for the perplexed imaginary couple. Perhaps only through
art can we defeat our loneliness.
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